You keep the relationship. We run everything under it.
The hardest part of running a creator agency is not signing creators — it is staffing the chat. Recruiting operators, covering nights, training tone, replacing the good ones when they leave, and trusting all of them with someone's income. That is the part we take off you.
The split
Stated plainly, because agencies are usually sold vague partnerships:
| We handle | You handle |
|---|---|
| Fan chat across every creator, around the clock | Signing creators and keeping them happy |
| Hiring, training, rotas, cover and quality control | Nothing. There is no team to staff |
| Every connected platform in one inbox per creator | Which platforms each creator should be on |
| Persona and boundaries, worked to your brief | Writing that brief once, per creator |
| Leak scanning and DMCA filing | How aggressively you want it enforced |
| Account safety — connections, sending pace, access | Nothing operational |
| Per-creator reporting you can put in front of them | The commercial conversation it enables |
The short version: you stay the agency. We are the operation you would otherwise have to build, and we do not appear in front of your creators unless you want us to.
What it costs
Commission on the revenue we help generate, assessed on monthly revenue, flat across your whole book rather than per creator:
| Monthly creator revenue | Agency rate |
|---|---|
| Up to $5,000 | 20% |
| $5,000 – $15,000 | 18% |
| $15,000 – $50,000 | 16% |
| $50,000 – $100,000 | 15% |
| Over $100,000 | 12% |
No retainer, no per-seat fee, no minimum term, no exclusivity. Run your own numbers on the pricing page, where you can compare the rate against what you are paying to staff chat today.
Why the agency rate is lower
Because you bring volume and you keep the part that does not scale for us — the relationship. An agency that has already signed and positioned twenty creators has done work we would otherwise have to do one creator at a time, and the rate reflects it.
The three questions agencies actually ask
Do you take our creators?
No. We have no relationship with them, no contract with them and no route to them. The accounts stay in your arrangement with your creator, and if you leave, nothing of yours comes with us.
Do our creators have to know?
That is your call. Some agencies present us as their chat team; others tell creators exactly who we are. Both work. What we will not do is contact a creator behind you.
What happens to our existing chatters?
Usually one of two things. Either they move onto the relationship and upsell side, which is where an agency actually earns its margin, or the headcount goes. We would rather say that plainly than pretend nobody is affected — it is normally the main internal objection, and it is better raised early.
How account access works
This is the question that should decide your vendor, and most agencies ask it last.
Operators work in a streamed browser session rather than holding credentials. Nobody is handed a creator's password, and nothing is typed into a personal device. Connections are country-matched and sending is human-paced, because the fastest way to lose an account is not content — it is a login that looks like a takeover.
If you have ever lost a creator's account to a suspicious-login restriction, this is the piece to read.
Which platforms
We run OnlyFans, Fansly, Fanvue, Maloum, Brezzels and 4based today, in one inbox per creator. Each has its own guide if you want the detail:
- OnlyFans — the questions creators ask most
- Fansly — five tiers on one account
- Fanvue — strictest verification, cleanest reporting
- Maloum — near-instant payouts, German audience
- Brezzels — broadcasts and a full fee breakdown
- 4based — German VAT invoicing
Or the side-by-side comparison if you are deciding where to put a creator.